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"Magnetic" Personality

There are two groups of people that would want to see "Strange Powers: Stephin Merritt and the Magnetic Fields": those who know and love Stephin Merritt, and those who have perhaps heard of the Magnetic Fields and want to learn more.

For those that know him, I'll make this really easy: go see this movie. It's a lovely look into the life of an incredible songwriter.

For those that have never heard of Merritt, or are looking to this movie to learn about what all the hubbub is about... I'm not sure it fits the bill.

Here's the thing, and why this documentary is odd from its very premise: getting to know Merritt is arguably the worst way to be introduced to his music. This isn't because he's some slightly weird, quirky, oddball genius (he is). It's because who he is basically nothing to do with his music.

Merritt writes poignant, staggeringly clever, and absolutely gorgeous songs. Sure, many songwriters do that. What makes Merritt unique is how deftly he can change perspectives and still convey emotion like he, the songwriter, experienced exactly what he's writing about.

Except, he hasn't.

While bouncing between different genres and styles, Merritt warps gender roles and gender expectations. A song from a woman's perspective may be sung from by a man. Or vice versa. Soaring songs about love are contrasted by biting lyrics damming the very same concept. Nearly every style of music you can imagine is explored adroitly, the only constant is the brilliance of the lyrics and the infectiously catchy melodies. The varied perspectives in themselves aren't the point. The songs are so good they appeal to all, offering everyone a personal perspective, sung through Merritt's baritone voice.

Merritt's background and life have little to do with any of the actual music, so getting to know him first is completely unnecessary. In fact, it's perhaps counterproductive, given the variety of the perspective given in the music.

The film itself is fairly standard rock documentary, following Merritt over a period of years. Clips from concerts, behind-the-scenes during recording sessions, and interviews with Merritt himself are fantastic access for a subject not known to be forthcoming in interviews. As a fan, it was all fascinating, though by the end of the film I didn't get the feeling I knew him any better than I did before.

At the screening I went to, Merritt and co-director Gail O'Hara spoke and answered questions after the film. And I have to say, the film portrayed Merritt exactly as he comes across in person. So in that regard, it is a rousing success.

I enjoyed the movie, mostly for its tiny sliver of insight into one of the greatest living songwriters. This movie review, for fans of Merritt and the Magnetic Fields, acts mostly as a movie poster; something to point out that this movie exists. Past that little will be needed to get you to want to see this movie. Such is the rabidity of his fanbase.

On the other hand, if you don't know Stephin Merritt, go buy 69 Love Songs. It will change your life.

Then you'll want to see this movie.

Strange Powers: Stephin Merritt and the Magnetic Fields will be showing in festivals and in small theaters around the country till the end of the year. A digital download will be available in January with a DVD sometime after.

For showtimes, check out the movie's website here.